没有错，这部动画的名字叫［12岁。］

《12岁。》是漫画家米田菜穗所作的日本漫画作品，在漫画杂志《Ciao》不定期连载中。2014年4月3日起动画化，以OVA的形式随《Ciao》附送。2015年7月3日宣布真人版化，分别收录在《CIAO》9月号和12月号随书附赠的DVD《CIAO CIAO TV（原名：ちゃおちゃおTV）》中。2016年“Ciao”3月刊封面中确定电视动画化。

看到这萌萌的画风，感觉自己就被治愈了༼❁ɷ❁༽，二话不说点开第一集，准备治愈一下自己在众多情侣狗们的暴击之下饱受创伤的心灵，但是。。。

这第一集就kiss的剧情是什么鬼啊༼ º﹃º ༽，还再三强调“这是初吻”，小学生谈恋爱就接吻，好像还是在没恋爱之前就接吻，我只能说。。。男主，干得漂亮！！（新撩妹技能get～～）

B站（bilibili）介绍：“故事以位于关东的某所小学为舞台，主要描写以该学校的6年2班中的CP——绫濑花日和高尾优斗、苍井结衣和桧山一翔的学校生活为中心展开的只属于12岁的淡淡的恋情与友情。” 多么简单粗暴的设定，故事一开始就定了两对CP，年轻人的世界，显然已经不是老夫可以理解的了༼(ཀ д ཀ༽༽（自己年纪也不大吧。。。），不过动画中的一些剧情还是不禁让我想起童年时一些青涩的回忆，比如第一次去超市买卫生棉什么的。。。呵呵。

整部动漫的格调还是比较轻松的，在繁杂工作学习任务结束之后拿出来看一看还是不错的。

早恋肯定是不对的，但是我只想对现在还在电脑桌前虚度青春的年轻人们（包括我自己）说，是时候放下手中的鼠标和键盘，去做一些有意义的事情的时候了，去图书馆找一本喜欢看的小说细细品读，去喜欢的饭店认真品尝一道厨师们精心准备的餐点，去学习一些自己还不具备的技能，说不定在这些过程中，你就能找到自己的真爱了呦༼･ิɷ･ิ༽

最后附上B站正版链接：http://www.bilibili.com/video/av4276842/

＃新番吐槽

2016/04/04

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总算是复习完数学了，已经快晚上12点了zZZ

也不知道明天的quiz会怎么样T_T

记得查反比例函数的分歧点怎么算～～

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期末考试全部结束了，和同学约着一起去了电影院看“功夫熊猫3”，看的时候第一感觉就是：“歪果仁特效真的做得不错☆”这一次的“功夫熊猫”剧情有一点仓促，导致内容有一点混乱​。 片尾结束匆忙，搞得好像人人都会用“气”一样（为什么我不行 T_T）。貌似人人都有气，但是你不是二般人所以你不会用，熊猫村的大家是在想要救阿宝和找到了自我的前提下学会了使用“气”的诀窍，一个人在一生中可能会扮演许多的角色但你始终是你，任何名号都只是个称谓，你就是你，当你找到本我时，你就学会用“气”啦。。。（话说这个问题好像在“武林外传”里被讨论过hhh）不过梦工厂的片子的确是大制作，场景什么的美到极致（我已经被熊猫村征服啦，还有胖哒哒的小熊猫，好想咬一口～～​）。片尾曲是周董和混血小帅哥派伟俊唱的，好像是小公举的第一首带大量英文的歌曲​，刚觉挺励志的，这么多年一直喜欢周杰伦可能也是因为他的歌总能带来一些正能量吧～You just have to try to be who you are​~如何成功的定位自己也是一门​学问啊☆​今天能想到的也就这么多啦，话说电影院的红薯条真的很赞啊，下一次多买一点带回家吃～～

＃心情日记2016/02/03​

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Today, I finished my ESL final test, so far so good~

I was worried my Physics, I don't think I can got a perfect mark...

༼(ཀ д ཀ༽༽

I just try to make myself calm down...

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(The museum building)

    Hunan Provincial Museum is the provincial museum of Hunan province in China built in 1951 and opened to the public in July 1956. It is located in the city capital of Changsha at No. 50, Dongfeng Lu next to the Revolutionary Martyr's Park.

It spans a total area of about 50, 000 square metres (12 acres), with a constructed area of 20, 000 square metres (4.9 acres).

The museum has a collection of more than 180, 000 objects, including items found in the tombs of the Marquis of Dai(轪候) his wife and his son in Mawangdui(马王堆).

A GREAT ARCHAEOLOGICAL DISCOVERY

    There were three tombs of the early Western Han dynasty at Mawangdui in Changsha. The tombs were identified as those of the Li Cang(利苍), who was the chancellor to the prince of Changsha State and the Marquis of Dai, Li Cang’ wife and his son respectively. The over 3000 cultural relics unearthed from the tombs not only provide artefacts for studying the politics, economics, science and technology of the early Western Han civilization, but also establish a yardstick for dating the archaeology of the early Han dynasty.


(seal of the chancellor of Changsha state［长沙丞相］)

（seal of the Marquis of Dai[轪候之印]）

（seal of LiCang[利苍]）

Those three seals are very important to identified the tomb's owner.

THE BEAUTY OF LACQUERWARE

    Lacquerware was one of ancient China’s great inventions. The industry of lacquerware reached its pinnacle in the period from the Warring States to the Wester Han. Owing to the complicated procedures and high cost of production, only the wealthy could afford lacquerware. From the three tombs, over 700 pieces of lacquerware were recovered. They are varied in shape and decoration, and well preserved. Most of them are made of wood, while a few of them are of hemp cloth or bamboo. Of various shapes and sizes and with innovative decorations and exquisite patterns, these pieces are representative of the lacquerware production of the early Western Han period.

THE BRILLIANCE OF SILK COUNTRY

    China was the first country to engage in sericulture, silk reeling and silk weaving. During the Han dynasty, silk was continuously exported to West Asia and Europe, thus earning China the right to be called the “Silk Country”. The more than 100 pieces of textiles and clothing unearthed from Tombs No.1 and No.3 are mostly silk fabrics, with the exception of only a few pieces of hemp cloth. A variety of silk textiles were found, including thin silk, fine silk, gauze, damask, brocade and so on. The varied techniques involved dyeing, embroidery, printing, and colour painting. These pieces clearly attest to the accomplishments in textile technology of the early Han dynasty. In particular, the four-season clothing unearthed from Tomb No.1 demonstrates well both the clothing of the noble ladies and the dressing culture of the early Han dynasty.

THE TREASURE ON SILK AND INSCRIBED SLIPS

    The manuscripts and paintings on silk, and the inscriptions on bamboo and wooden slips, were among the most prominent treasures recovered from the Han tombs at Mawangdui. Unearthed from Tomb No.3, there were around 40 manuscripts on silk, written in about 100,000 words. Most of the manuscripts are valuable documents which had been lost for a long time. The contents cover various subjects in politics, economy philosophy, history, astronomy, geography, medical science, military affairs, physical training, literature, art and so on. In addition, 11 pieces of paintings on silk, 722 slips of the “Inventory of Burial Objects” and 200 slips with inscriptions of medical treatises were unearthed from Tombs No.1 and No.3. The contents of these silk pieces and slips reveal many scientific and technological achievements, providing rare and significant materials for the study of ancient science, culture and medicine, as well as the art of painting.

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